According to experts, Trump’s conduct has potential criminal exposure:At least 12 Republican senators plan to challenge Biden’s Electoral College win on Jan. 6, when Congress is set to officially count the votes. The effort is being led by Sen. Ted Cruz (R-Tex.) and includes Sens. Ron Johnson (R-Wis.), James Lankford (R-Okla.), Steve Daines (R-Mont.), John Kennedy (R-La.), Marsha Blackburn (R-Tenn.), and Mike Braun (R-Ind.), as well as new Senators Cynthia Lummis (R-Wyo.), Roger Marshall (R-Kan.), Bill Hagerty (R-Tenn.), and Tommy Tuberville (R-Ala.). Separately, Sen. Josh Hawley (R-Missouri) is pursuing a similar plan.
A federal statute makes it a crime when one “knowingly and willfully … attempts to deprive or defraud the residents of a State of a fair and impartially conducted election process, by … the procurement, casting, or tabulation of ballots that are known by the person to be materially false, fictitious, or fraudulent under the laws of the State in which the election is held.”
A Georgia statute similarly provides that a “person commits the offense of criminal solicitation to commit election fraud in the first degree when, with intent that another person engage in conduct constituting a felony under this article, he or she solicits, requests, commands, importunes, or otherwise attempts to cause the other person to engage in such conduct.”
…The hard part for prosecutors would be proving Trump’s state of mind, because the statutes require proof of knowledge and intent. Prosecutors would have to show that Trump knew that Biden fairly won the election, and Trump was asking for Georgia officials to commit election fraud. And it’s not clear prosecutors could make that case.
"Congress should immediately appoint an Electoral Commission, with full investigatory and fact-finding authority, to conduct an emergency 10-day audit of the election returns in the disputed states. Once completed, individual states would evaluate the Commission’s findings and could convene a special legislative session to certify a change in their vote, if needed," the senators said in a joint statement. “Accordingly, we intend to vote on Jan. 6 to reject the electors from disputed states as not ‘regularly given’ and ‘lawfully certified’ (the statutory requisite), unless and until that emergency 10-day audit is completed."Their plan is not going to succeed in preventing Biden from taking office, as majorities in both the House and the Senate would need to support a challenge against a state’s electoral votes. For an objection to be made, at least one member of both the House and Senate would need to submit it in writing. Then, the House and Senate separately convene to consider the issue. Debate is limited to two hours for each objection. After debate concludes, the House and Senate vote to uphold the objection and throw out the state’s votes. If the majority of the House AND the majority of the Senate does not uphold the objection, the state’s electoral votes are counted as cast.
Enrique Tarrio: "The ProudBoys will turn out in record numbers on Jan 6th but this time with a twist...We will not be wearing our traditional Black and Yellow. We will be incognito and we will spread across downtown DC in smaller teams."Rep. Louie Gohmert has more explicitly tried to incite violence, saying the failure of his legal challenge to the election means “you gotta go the streets and be as violent as Antifa and BLM.” (clip)
“OMB leadership’s refusal to fully cooperate impairs our ability to identify opportunities to maximize the relief going out to Americans during the pandemic, and it leaves us in the dark as it relates to Covid-related expenditures and critical gaps,” [Biden transition Exec. Dir. Yohannes] Abraham said.Earlier last week, Biden himself said Trump officials are not cooperating with his team, singling out the Defense Department for obstructing information on crucial national security issues. “Right now, we just aren’t getting all the information that we need from the outgoing administration in key national security areas. It’s nothing short, in my view, of irresponsibility,” Biden said. The Defense Dept. finally scheduled meetings with the incoming team this week, after not briefing the transition for weeks.
In other words, although President-elect Joe Biden has already signaled he intends to replace Pack as CEO of the parent agency soon after taking office in January, Pack would maintain a significant degree of control over the networks.The State Department is likely to designate Cuba as a state sponsor of terrorism “as an 11th hour effort to create hurdles for the incoming Biden administration.” The label, which requires the approval of Secretary of State Mike Pompeo, would undo a major accomplishment of the Obama administration. To take Cuba back off the list, the Biden team would need to conduct a formal review, a process that might take several months.
Such a designation would impose restrictions on US foreign assistance, a ban on defense exports and sales, certain controls over exports and various financial restrictions. It would also result in penalization against any persons and countries engaging in certain trade activities with Cuba.The Trump administration has been rushing to finalize a myriad of rules before Biden’s inauguration. Since Election Day, the Trump administration has issued about three to four times as many new regulations as it did during other periods of Trump’s presidency. Rules that haven’t been finalized or taken effect can be suspended by an incoming president, which Biden has said he intends to do. By contrast, rules that are finalized can take months, or even years, to undo.
“As a general rule, it takes at least as much process to undo or modify a rule as it does to put the rule in place,” said Jonathan H. Adler, a professor and an administrative law expert at Case Western Reserve University School of Law. “The Trump administration is magnifying that challenge for the Biden administration.”Trump loyalists are urging the president to stymie Biden’s efforts to rejoin the Paris climate agreement and the Iran nuclear deal. Sens. Ted Cruz and Lindsey Graham are working to get the agreements submitted to the Senate for ratification, requiring a two-thirds vote, with the goal of failure. While such an outcome wouldn’t prevent Biden from rejoining the accords, Cruz and Graham hope it would make their resurrection more problematic.
A vote against them would signal GOP opposition to the world and, they hope, undermine any unilateral action by Biden to rejoin the agreements. One senior congressional aide told RCP that sending them to die in the Senate “would be the final nail in the coffin.”Further reading: “Biden To Be Saddled With Trump’s Payroll Tax Deferral Mess,” Forbes.
The analysts hired by Vance probably have already reviewed various bank and mortgage records obtained from Trump’s company as part of the ongoing grand jury investigation, and they could be called on to testify about their findings should the district attorney eventually bring criminal chargesIn yet another shady business deal connected to Trump, the United States sold the ambassador’s residence in Israel for more than $67 million. The person who bought the residence is none other than Trump mega-donor Sheldon Adelson. The property only became available due to Trump's controversial decision to relocate the U.S. Embassy from Tel Aviv to contested Jerusalem. Furthermore, State Dept. representatives reportedly lied to Congress about the sale, perhaps to hide that Adelson purposefully overbid.
For now, there is no alternative residence for the ambassador, David Friedman, Trump’s former lawyer, who currently uses a suite at Jerusalem’s King David Hotel or rooms at the former Jerusalem Consulate General when he spends nights in Jerusalem… As a result, the United States appears likely to end up leasing the residence it has owned since 1964 from the GOP-affiliated casino mogul.Trump’s businesses have taken in $10.5 million of donor money over the course of his presidency. $8.5 million came from the Trump campaign and related entities that Trump controls directly; $2 million came from other Republican candidates and committees. The biggest beneficiary was Trump’s NYC hotel, taking in $3,039,979 over the four years of his presidency, with $891,003 of that in just the final four months of the campaign.
“It is very strange that we are now paying Sheldon Adelson,” a congressional aide told The Daily Beast. “It is not above board. We have a number of questions. Did they get two independent appraisals? Was it a sweetheart deal? Was Adelson the highest donor? Was there a reason to sell it now?”
The fact Turnberry remains in the red comes in spite of significant tranches of payments it has received from the US government during Mr Trump’s single term in office… the US Secret Service spent nearly £25,000 to accommodate its agents at the resort during business trips by Mr Trump’s son, Eric, an executive vice-president of the family firm. Since Mr Trump’s election, the property has received close to £300,000 from the Secret Service, US State Department, and US Defence DepartmentA Florida state lawmaker is calling for Mar-a-Lago to be penalized - and possibly shut down - for flouting coronavirus restrictions during a New Years Eve party. While Trump and the first lady did not attend, son Don Jr., attorney Rudy Giuliani, Rep. Matt Gaetz, and Fox News personality Jeanine Piro were captured on video among the maskless crowd. Guests paid as much as $1,000 for access to the ballroom to be entertained by Vanilla Ice.
State Rep. Omari Hardy: “My constituents are not snowbirds like @DonaldJTrumpJr & @kimguilfoyle. My constituents live here. This is their home, and they're going to have to deal w/ the consequences of a potential super-spreader party at Mar-a-Lago long after Junior & wife leave here on their private jet.”Are you ready for a Donald J. Trump Airport? According to the Daily Beast, Trump has been asking aides about the process of naming airports after former U.S. presidents.
The final timing of the 2020 census results' release could undermine President Trump's efforts to make an unprecedented change to who is counted in key census numbers before leaving office… If the first census results are not ready until after Trump's term ends on Jan. 20, it would be President-elect Joe Biden, not Trump, who would get control of the numbers, which are ultimately handed off to Congress for certification.
Ranking | Title | Overall Score | Critics | Domestic | International | Year | Director |
---|---|---|---|---|---|---|---|
1 | The Godfather | 93.89 | 97.73 | 90.50 | 89.36 | 1972 | Francis Ford Coppola |
2 | The Godfather: Part II | 91.93 | 93.30 | 89.04 | 88.06 | 1974 | Francis Ford Coppola |
3 | Seven Samurai | 91.05 | 97.38 | 87.63 | 85.90 | 1954 | Akira Kurosawa |
4 | 12 Angry Men | 90.45 | 95.45 | 88.74 | 88.62 | 1957 | Sidney Lumet |
5 | City Lights | 89.94 | 96.75 | 85.67 | 85.93 | 1931 | Charlie Chaplin |
6 | The Good, the Bad and the Ugly | 89.45 | 91.20 | 87.81 | 86.59 | 1966 | Sergio Leone |
7 | The Shawshank Redemption | 89.41 | 82.95 | 89.49 | 89.18 | 1994 | Frank Darabont |
8 | Psycho | 89.29 | 95.23 | 85.70 | 85.01 | 1960 | Alfred Hitchcock |
9 | Modern Times | 89.28 | 95.55 | 85.21 | 85.37 | 1936 | Charlie Chaplin |
10 | Schindler's List | 89.08 | 93.80 | 87.22 | 87.29 | 1993 | Steven Spielberg |
11 | Pulp Fiction | 88.85 | 92.60 | 87.69 | 86.42 | 1994 | Quentin Tarantino |
12 | Rear Window | 88.63 | 97.65 | 85.40 | 83.33 | 1954 | Alfred Hitchcock |
13 | One Flew Over the Cuckoo's Nest | 88.55 | 87.38 | 86.28 | 86.97 | 1975 | Miloš Forman |
14 | Apocalypse Now | 88.54 | 93.85 | 85.24 | 83.48 | 1979 | Francis Ford Coppola |
15 | Tokyo Story | 88.49 | 98.30 | 85.16 | 83.76 | 1953 | Yasujirō Ozu |
16 | Spirited Away | 88.34 | 93.78 | 86.80 | 85.91 | 2001 | Hayao Miyazaki |
17 | GoodFellas | 88.03 | 91.48 | 87.00 | 84.03 | 1990 | Martin Scorsese |
18 | Vertigo | 88.02 | 95.60 | 84.05 | 82.76 | 1958 | Alfred Hitchcock |
19 | Singin' in the Rain | 88.01 | 97.65 | 83.95 | 83.13 | 1952 | Gene Kelly, Stanley Donen |
20 | Sunset Boulevard | 88.00 | 95.45 | 85.44 | 84.22 | 1950 | Billy Wilder |
21 | Citizen Kane | 87.83 | 99.03 | 83.06 | 82.22 | 1941 | Orson Welles |
22 | Harakiri | 87.79 | 85.83 | 88.00 | 86.29 | 1962 | Masaki Kobayashi |
23 | Rashomon | 87.74 | 96.55 | 83.52 | 82.73 | 1950 | Akira Kurosawa |
24 | Once Upon a Time in the West | 87.71 | 86.65 | 85.48 | 84.62 | 1968 | Sergio Leone |
25 | Fanny and Alexander | 87.54 | 97.30 | 83.15 | 83.00 | 1982 | Ingmar Bergman |
26 | The Lord of the Rings: The Return of the King | 87.40 | 92.59 | 86.06 | 85.38 | 2003 | Peter Jackson |
27 | Andrei Rublev | 87.39 | 91.90 | 83.80 | 83.94 | 1966 | Andrei Tarkovsky |
28 | The Passion of Joan of Arc | 87.39 | 94.65 | 83.88 | 83.57 | 1928 | Carl Theodor Dreyer |
29 | Sherlock Jr. | 87.36 | 96.45 | 83.64 | 85.60 | 1924 | Buster Keaton |
30 | Bicycle Thieves | 87.35 | 94.70 | 83.91 | 83.46 | 1948 | Vittorio De Sica |
31 | Casablanca | 87.35 | 98.00 | 85.25 | 82.62 | 1942 | Michael Curtiz |
32 | Some Like It Hot | 87.28 | 95.30 | 82.11 | 83.73 | 1959 | Billy Wilder |
33 | Persona | 87.22 | 88.20 | 84.28 | 83.07 | 1966 | Ingmar Bergman |
34 | Children of Paradise | 87.21 | 95.33 | 84.81 | 83.27 | 1945 | Marcel Carné |
35 | Taxi Driver | 87.14 | 93.88 | 83.60 | 82.06 | 1976 | Martin Scorsese |
36 | The Dark Knight | 87.08 | 88.81 | 86.96 | 84.80 | 2008 | Christopher Nolan |
37 | Metropolis | 87.03 | 96.00 | 82.92 | 84.01 | 1927 | Fritz Lang |
38 | Sunrise: A Song of Two Humans | 87.02 | 93.95 | 82.23 | 84.02 | 1927 | F. W. Murnau |
39 | Stalker | 87.02 | 92.30 | 83.86 | 83.29 | 1979 | Andrei Tarkovsky |
40 | Pather Panchali | 86.96 | 94.35 | 84.40 | 82.80 | 1955 | Satyajit Ray |
41 | Lawrence of Arabia | 86.95 | 97.65 | 83.76 | 81.49 | 1962 | David Lean |
42 | M | 86.91 | 96.20 | 84.34 | 82.92 | 1931 | Fritz Lang |
43 | Ordet | 86.82 | 98.10 | 83.08 | 82.55 | 1955 | Carl Theodor Dreyer |
44 | It's a Wonderful Life | 86.77 | 90.45 | 85.17 | 84.90 | 1946 | Frank Capra |
45 | Satantango | 86.76 | 90.45 | 84.58 | 84.21 | 1994 | Béla Tarr |
46 | Parasite | 86.72 | 96.34 | 86.55 | 83.15 | 2019 | Bong Joon-ho |
47 | The 400 Blows | 86.70 | 96.70 | 83.14 | 82.60 | 1959 | François Truffaut |
48 | Ikiru | 86.56 | 93.80 | 85.48 | 84.29 | 1952 | Akira Kurosawa |
49 | Mirror | 86.50 | 95.60 | 82.75 | 82.34 | 1975 | Andrei Tarkovsky |
50 | Come and See | 86.50 | 90.50 | 85.22 | 83.13 | 1985 | Elem Klimov |
51 | The Apartment | 86.48 | 92.00 | 84.09 | 82.99 | 1960 | Billy Wilder |
52 | The General | 86.45 | 91.45 | 82.59 | 83.87 | 1926 | Buster Keaton, Clyde Bruckman |
53 | Grave of the Fireflies | 86.43 | 95.13 | 85.85 | 82.97 | 1988 | Isao Takahata |
54 | Le Trou | 86.41 | 89.95 | 85.46 | 85.14 | 1960 | Jacques Becker |
55 | The Battle of Algiers | 86.37 | 95.40 | 82.64 | 81.24 | 1966 | Gillo Pontecorvo |
56 | A Man Escaped | 86.34 | 96.50 | 83.67 | 82.03 | 1956 | Robert Bresson |
57 | Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb | 86.34 | 95.85 | 84.37 | 83.03 | 1964 | Stanley Kubrick |
58 | Paths of Glory | 86.25 | 92.30 | 84.97 | 84.48 | 1957 | Stanley Kubrick |
59 | The Lord of the Rings: The Fellowship of the Ring | 86.24 | 88.75 | 85.61 | 84.31 | 2001 | Peter Jackson |
60 | All About Eve | 86.23 | 96.95 | 83.69 | 83.20 | 1950 | Joseph L. Mankiewicz |
61 | Star Wars: The Empire Strikes Back | 86.21 | 86.93 | 87.05 | 83.29 | 1980 | Irvin Kershner |
62 | High and Low | 86.16 | 86.55 | 86.08 | 84.26 | 1963 | Akira Kurosawa |
63 | The Great Dictator | 86.15 | 91.10 | 84.25 | 85.03 | 1940 | Charlie Chaplin |
64 | The Silence of the Lambs | 86.12 | 88.68 | 85.29 | 84.17 | 1991 | Jonathan Demme |
65 | 2001: A Space Odyssey | 86.06 | 88.35 | 82.93 | 81.54 | 1968 | Stanley Kubrick |
66 | North by Northwest | 86.03 | 96.38 | 83.17 | 81.74 | 1959 | Alfred Hitchcock |
67 | Double Indemnity | 85.91 | 94.38 | 83.84 | 83.12 | 1944 | Billy Wilder |
68 | Ugetsu | 85.91 | 97.25 | 82.69 | 81.91 | 1953 | Kenji Mizoguchi |
69 | Woman in the Dunes | 85.91 | 93.95 | 84.71 | 83.77 | 1964 | Hiroshi Teshigahara |
70 | Sansho the Bailiff | 85.88 | 95.50 | 84.24 | 82.21 | 1954 | Kenji Mizoguchi |
71 | Once Upon a Time in America | 85.87 | 86.10 | 83.84 | 85.53 | 1984 | Sergio Leone |
72 | City of God | 85.86 | 84.08 | 86.39 | 84.00 | 2002 | Fernando Meirelles, Kátia Lund |
73 | Late Spring | 85.81 | 94.75 | 83.74 | 82.27 | 1949 | Yasujirō Ozu |
74 | Barry Lyndon | 85.80 | 87.95 | 82.44 | 82.30 | 1975 | Stanley Kubrick |
75 | The Lord of the Rings: The Two Towers | 85.78 | 88.78 | 85.00 | 84.29 | 2002 | Peter Jackson |
76 | Raging Bull | 85.77 | 90.48 | 82.01 | 81.80 | 1980 | Martin Scorsese |
77 | Chinatown | 85.72 | 94.08 | 83.32 | 80.69 | 1974 | Roman Polanski |
78 | Alien | 85.69 | 91.73 | 84.76 | 82.62 | 1979 | Ridley Scott |
79 | Ran | 85.68 | 94.70 | 83.93 | 82.52 | 1985 | Akira Kurosawa |
80 | The Seventh Seal | 85.67 | 92.10 | 83.52 | 82.13 | 1957 | Ingmar Bergman |
81 | The Kid | 85.61 | 92.85 | 82.91 | 84.94 | 1921 | Charlie Chaplin |
82 | Wild Strawberries | 85.51 | 90.05 | 83.38 | 82.24 | 1957 | Ingmar Bergman |
83 | A Brighter Summer Day | 85.50 | 93.38 | 84.07 | 81.01 | 1991 | Edward Yang |
84 | 8½ | 85.48 | 91.20 | 82.59 | 81.09 | 1963 | Federico Fellini |
85 | The Pianist | 85.38 | 88.69 | 83.31 | 84.80 | 2002 | Roman Polanski |
86 | The World of Apu | 85.38 | 93.20 | 84.38 | 83.09 | 1959 | Satyajit Ray |
87 | La Dolce Vita | 85.37 | 94.38 | 81.40 | 80.48 | 1960 | Federico Fellini |
88 | Star Wars | 85.33 | 90.03 | 85.22 | 81.92 | 1977 | George Lucas |
89 | The Best of Youth | 85.31 | 88.78 | 85.31 | 83.64 | 2003 | Marco Tullio Giordana |
90 | The Gold Rush | 85.29 | 94.55 | 81.93 | 83.59 | 1925 | Charlie Chaplin |
91 | The Third Man | 85.26 | 96.50 | 82.91 | 80.21 | 1949 | Carol Reed |
92 | The Treasure of the Sierra Madre | 85.20 | 96.68 | 82.77 | 81.81 | 1948 | John Huston |
93 | I Am Cuba | 85.18 | 93.60 | 82.00 | 83.44 | 1964 | Mikhail Kalatozov |
94 | The Lives of Others | 85.14 | 89.03 | 84.12 | 82.73 | 2006 | Florian Henckel von Donnersmarck |
95 | Witness for the Prosecution | 85.13 | 92.65 | 83.67 | 84.99 | 1957 | Billy Wilder |
96 | Touch of Evil | 85.11 | 95.70 | 81.36 | 79.65 | 1958 | Orson Welles |
97 | WALL-E | 85.10 | 92.09 | 82.82 | 82.64 | 2008 | Andrew Stanton |
98 | Scenes from a Marriage | 85.02 | 86.85 | 84.80 | 83.06 | 1974 | Ingmar Bergman |
99 | To Be or Not to Be | 84.99 | 89.58 | 82.52 | 83.39 | 1942 | Ernst Lubitsch |
100 | A Separation | 84.92 | 94.24 | 83.34 | 80.90 | 2011 | Asghar Farhadi |
101 | The Night of the Hunter | 84.91 | 96.93 | 81.17 | 79.06 | 1955 | Charles Laughton |
102 | Three Colors: Red | 84.87 | 96.78 | 83.32 | 80.78 | 1994 | Krzysztof Kieślowski |
103 | Yojimbo | 84.87 | 91.55 | 83.85 | 82.99 | 1961 | Akira Kurosawa |
104 | Back to the Future | 84.85 | 89.38 | 84.47 | 81.94 | 1985 | Robert Zemeckis |
105 | My Neighbor Totoro | 84.84 | 87.53 | 83.44 | 83.17 | 1988 | Hayao Miyazaki |
106 | In the Mood for Love | 84.84 | 83.87 | 82.55 | 81.20 | 2000 | Wong Kar-wai |
107 | Princess Mononoke | 84.83 | 81.18 | 85.02 | 84.24 | 1999 | Hayao Miyazaki |
108 | Saving Private Ryan | 84.82 | 90.35 | 83.94 | 82.50 | 1998 | Steven Spielberg |
109 | Cinema Paradiso | 84.78 | 82.30 | 84.73 | 83.43 | 1988 | Giuseppe Tornatore |
110 | La Jetée | 84.75 | 89.25 | 83.27 | 81.80 | 1962 | Chris Marker |
111 | The Wages of Fear | 84.71 | 94.60 | 82.99 | 82.80 | 1953 | Henri-Georges Clouzot |
112 | Das Boot | 84.68 | 90.13 | 83.62 | 82.71 | 1981 | Wolfgang Petersen |
113 | Fight Club | 84.65 | 71.18 | 86.39 | 84.95 | 1999 | David Fincher |
114 | Nights of Cabiria | 84.64 | 92.25 | 82.72 | 83.13 | 1957 | Federico Fellini |
115 | La Strada | 84.61 | 92.60 | 80.79 | 82.78 | 1954 | Federico Fellini |
116 | Amadeus | 84.53 | 89.55 | 82.88 | 82.59 | 1984 | Miloš Forman |
117 | Forrest Gump | 84.50 | 76.90 | 83.06 | 86.12 | 1994 | Robert Zemeckis |
118 | Spider-Man: Into the Spider-Verse | 84.49 | 90.41 | 85.03 | 81.69 | 2018 | Peter Ramsey, Rodney Rothman, Bob Persichetti |
119 | The Lion King | 84.45 | 88.28 | 77.22 | 84.09 | 1994 | Rob Minkoff, Roger Allers |
120 | Inception | 84.43 | 82.07 | 84.18 | 84.17 | 2010 | Christopher Nolan |
121 | Whiplash | 84.42 | 89.53 | 84.87 | 81.96 | 2014 | Damien Chazelle |
122 | The Shop Around the Corner | 84.40 | 94.43 | 80.85 | 82.37 | 1940 | Ernst Lubitsch |
123 | Rififi | 84.38 | 92.00 | 83.03 | 81.58 | 1955 | Jules Dassin |
124 | Umberto D. | 84.38 | 92.63 | 82.20 | 81.75 | 1952 | Vittorio De Sica |
125 | Army of Shadows | 84.37 | 95.30 | 82.98 | 80.50 | 1969 | Jean-Pierre Melville |
126 | Blade Runner | 84.34 | 85.85 | 82.57 | 80.29 | 1982 | Ridley Scott |
127 | Samurai Rebellion | 84.33 | 89.05 | 82.85 | 83.84 | 1967 | Masaki Kobayashi |
128 | Close-Up | 84.31 | 85.70 | 81.99 | 80.69 | 1990 | Abbas Kiarostami |
129 | The Circus | 84.29 | 90.35 | 81.69 | 83.14 | 1928 | Charlie Chaplin |
130 | Raiders of the Lost Ark | 84.19 | 89.33 | 84.31 | 80.57 | 1981 | Steven Spielberg |
131 | Grand Illusion | 84.18 | 95.35 | 81.85 | 79.78 | 1937 | Jean Renoir |
132 | A Clockwork Orange | 84.18 | 82.78 | 82.37 | 82.51 | 1971 | Stanley Kubrick |
133 | Eternal Sunshine of the Spotless Mind | 84.07 | 89.37 | 83.36 | 80.57 | 2004 | Michel Gondry |
134 | A Woman Under the Influence | 84.01 | 87.40 | 82.51 | 80.40 | 1974 | John Cassavetes |
135 | The Cranes Are Flying | 84.00 | 89.30 | 82.76 | 82.40 | 1957 | Mikhail Kalatozov |
136 | Yi Yi | 83.91 | 91.25 | 82.48 | 79.64 | 2000 | Edward Yang |
137 | To Kill a Mockingbird | 83.91 | 89.13 | 81.98 | 82.20 | 1962 | Robert Mulligan |
138 | The Matrix | 83.90 | 77.78 | 84.54 | 83.06 | 1999 | Wachowski Sisters |
139 | The Sting | 83.90 | 85.73 | 82.71 | 83.36 | 1973 | George Roy Hill |
140 | The Mother and the Whore | 83.87 | 94.55 | 81.24 | 79.82 | 1973 | Jean Eustache |
141 | Se7en | 83.86 | 72.15 | 84.91 | 84.48 | 1995 | David Fincher |
142 | Early Summer | 83.85 | 94.45 | 82.19 | 82.01 | 1951 | Yasujirō Ozu |
143 | Werckmeister Harmonies | 83.80 | 91.73 | 80.89 | 81.93 | 2000 | Béla Tarr, Ágnes Hranitzky |
144 | Coco | 83.80 | 86.21 | 82.73 | 83.66 | 2017 | Adrian Molina, Lee Unkrich |
145 | Toy Story | 83.76 | 95.03 | 82.30 | 80.15 | 1995 | John Lasseter |
146 | It Happened One Night | 83.76 | 90.83 | 81.46 | 81.76 | 1934 | Frank Capra |
147 | Reservoir Dogs | 83.74 | 84.68 | 83.12 | 81.99 | 1992 | Quentin Tarantino |
148 | Unforgiven | 83.73 | 88.55 | 82.24 | 81.59 | 1992 | Clint Eastwood |
149 | The Deer Hunter | 83.73 | 87.68 | 80.57 | 82.06 | 1978 | Michael Cimino |
150 | The Young and the Damned | 83.72 | 87.10 | 82.58 | 80.82 | 1950 | Luis Buñuel |
151 | The Best Years of Our Lives | 83.68 | 92.63 | 81.19 | 81.20 | 1946 | William Wyler |
152 | The Leopard | 83.66 | 97.30 | 79.56 | 79.57 | 1963 | Luchino Visconti |
153 | Time of the Gypsies | 83.65 | 86.05 | 83.31 | 82.29 | 1988 | Emir Kusturica |
154 | Ali: Fear Eats the Soul | 83.61 | 96.70 | 80.51 | 79.97 | 1974 | Rainer Werner Fassbinder |
155 | Raise the Red Lantern | 83.57 | 90.25 | 82.37 | 81.81 | 1991 | Zhang Yimou |
156 | Terminator 2: Judgment Day | 83.57 | 82.00 | 84.11 | 81.83 | 1991 | James Cameron |
157 | The Shining | 83.55 | 75.35 | 84.08 | 81.80 | 1980 | Stanley Kubrick |
158 | Viridiana | 83.54 | 92.95 | 80.68 | 80.81 | 1961 | Luis Buñuel |
159 | Portrait of a Lady on Fire | 83.52 | 93.59 | 83.08 | 80.02 | 2019 | Céline Sciamma |
160 | Greed | 83.51 | 97.05 | 80.65 | 80.64 | 1924 | Erich von Stroheim |
161 | Gone with the Wind | 83.48 | 92.90 | 80.01 | 81.68 | 1939 | Victor Fleming |
162 | There Will Be Blood | 83.48 | 89.65 | 81.91 | 79.02 | 2007 | Paul Thomas Anderson |
163 | L.A. Confidential | 83.46 | 91.63 | 82.08 | 80.81 | 1997 | Curtis Hanson |
164 | Paris, Texas | 83.46 | 83.95 | 82.89 | 81.66 | 1984 | Wim Wenders |
165 | Throne of Blood | 83.45 | 91.30 | 82.18 | 81.49 | 1957 | Akira Kurosawa |
166 | Toy Story 3 | 83.43 | 93.55 | 81.61 | 80.32 | 2010 | Lee Unkrich |
167 | Memento | 83.43 | 85.20 | 83.78 | 80.76 | 2000 | Christopher Nolan |
168 | On the Waterfront | 83.37 | 93.00 | 82.23 | 79.52 | 1954 | Elia Kazan |
169 | Trip to the Moon | 83.37 | 94.70 | 79.96 | 82.83 | 1902 | Georges Méliès |
170 | The Rules of the Game | 83.33 | 96.55 | 80.45 | 78.02 | 1939 | Jean Renoir |
171 | Red Beard | 83.32 | 74.15 | 83.41 | 83.27 | 1965 | Akira Kurosawa |
172 | The Grapes of Wrath | 83.32 | 95.45 | 80.42 | 80.34 | 1940 | John Ford |
173 | Au Hasard Balthazar | 83.29 | 98.08 | 77.93 | 77.54 | 1966 | Robert Bresson |
174 | Autumn Sonata | 83.29 | 84.85 | 83.09 | 82.66 | 1978 | Ingmar Bergman |
175 | Annie Hall | 83.28 | 93.18 | 80.58 | 80.58 | 1977 | Woody Allen |
176 | The Conformist | 83.27 | 96.68 | 79.92 | 78.58 | 1970 | Bernardo Bertolucci |
177 | Rocco and His Brothers | 83.24 | 84.73 | 81.95 | 81.68 | 1960 | Luchino Visconti |
178 | Dersu Uzala | 83.23 | 74.75 | 82.35 | 83.37 | 1975 | Akira Kurosawa |
179 | Cool Hand Luke | 83.21 | 93.05 | 82.22 | 79.83 | 1967 | Stuart Rosenberg |
180 | Monty Python and the Holy Grail | 83.18 | 91.98 | 82.96 | 79.30 | 1975 | Terry Gilliam, Terry Jones |
181 | Le Samouraï | 83.18 | 92.35 | 82.45 | 79.40 | 1967 | Jean-Pierre Melville |
182 | Aliens | 83.18 | 88.73 | 83.29 | 79.61 | 1986 | James Cameron |
183 | PlayTime | 83.16 | 93.50 | 80.22 | 78.80 | 1967 | Jacques Tati |
184 | The Bridge on the River Kwai | 83.14 | 90.58 | 81.93 | 80.24 | 1957 | David Lean |
185 | The Red Shoes | 83.13 | 93.15 | 82.82 | 79.96 | 1948 | Michael Powell, Emeric Pressburger |
186 | American Beauty | 83.10 | 87.15 | 81.93 | 81.13 | 1999 | Sam Mendes |
187 | To Live | 83.10 | 84.00 | 82.16 | 82.46 | 1994 | Zhang Yimou |
188 | Battleship Potemkin | 83.10 | 95.85 | 77.81 | 80.41 | 1925 | Sergei Eisenstein |
189 | Day of Wrath | 83.09 | 93.40 | 81.07 | 81.29 | 1943 | Carl Theodor Dreyer |
190 | All Quiet on the Western Front | 83.07 | 92.85 | 80.05 | 81.48 | 1930 | Lewis Milestone |
191 | It's Such a Beautiful Day | 83.07 | 91.25 | 83.62 | 79.77 | 2012 | Don Hertzfeldt |
192 | Full Metal Jacket | 83.06 | 81.53 | 82.21 | 82.54 | 1987 | Stanley Kubrick |
193 | The Cabinet of Dr. Caligari | 83.05 | 96.40 | 79.84 | 81.83 | 1920 | Robert Wiene |
194 | Kes | 83.03 | 97.80 | 79.59 | 80.55 | 1969 | Ken Loach |
195 | The Usual Suspects | 83.02 | 80.23 | 84.08 | 81.48 | 1995 | Bryan Singer |
196 | The Cameraman | 83.00 | 93.90 | 80.77 | 81.57 | 1928 | Edward Segdwick, Buster Keaton |
197 | Aparajito | 83.00 | 90.90 | 81.81 | 81.20 | 1956 | Satyajit Ray |
198 | The Elephant Man | 83.00 | 83.00 | 82.10 | 81.87 | 1980 | David Lynch |
199 | Rebecca | 82.98 | 90.08 | 81.08 | 80.93 | 1940 | Alfred Hitchcock |
200 | Make Way for Tomorrow | 82.97 | 95.80 | 81.72 | 80.14 | 1937 | Leo McCarey |
201 | The Great Escape | 82.97 | 87.68 | 82.29 | 80.66 | 1963 | John Sturges |
202 | Your Name | 82.97 | 84.55 | 84.07 | 81.29 | 2016 | Makoto Shinkai |
203 | Limelight | 82.92 | 88.00 | 79.85 | 83.02 | 1952 | Charlie Chaplin |
204 | Breathless | 82.92 | 91.95 | 78.88 | 79.10 | 1960 | Jean-Luc Godard |
205 | Underground | 82.91 | 80.75 | 81.26 | 82.64 | 1995 | Emir Kusturica |
206 | The Man Who Shot Liberty Valance | 82.88 | 91.90 | 81.08 | 79.53 | 1962 | John Ford |
207 | Aguirre: The Wrath of God | 82.87 | 94.55 | 80.46 | 78.62 | 1972 | Werner Herzog |
208 | Oldboy | 82.86 | 78.98 | 84.00 | 81.27 | 2003 | Park Chan-wook |
209 | Up | 82.84 | 90.28 | 81.32 | 80.86 | 2009 | Pete Docter |
210 | Anatomy of a Murder | 82.84 | 94.00 | 80.57 | 80.02 | 1959 | Otto Preminger |
211 | The Wild Bunch | 82.84 | 90.35 | 79.45 | 80.12 | 1969 | Sam Peckinpah |
212 | The Hunt | 82.75 | 82.08 | 82.79 | 82.62 | 2012 | Thomas Vinterberg |
213 | Il Sorpasso | 82.74 | 95.75 | 82.84 | 79.57 | 1962 | Dino Risi |
214 | The Last Laugh | 82.74 | 95.25 | 79.47 | 81.61 | 1924 | F. W. Murnau |
215 | A Streetcar Named Desire | 82.73 | 94.60 | 79.89 | 80.26 | 1951 | Elia Kazan |
216 | Life Is Beautiful | 82.73 | 68.45 | 83.60 | 85.57 | 1997 | Roberto Benigni |
217 | A Short Film About Love | 82.71 | 87.10 | 81.90 | 81.89 | 1988 | Krzysztof Kieślowski |
218 | The Shop on Main Street | 82.71 | 94.45 | 82.15 | 80.43 | 1965 | Ján Kadár, Elmar Klos |
219 | Rio Bravo | 82.71 | 92.10 | 80.46 | 79.80 | 1959 | Howard Hawks |
220 | Roman Holiday | 82.70 | 84.55 | 80.74 | 82.42 | 1953 | William Wyler |
221 | Ivan's Childhood | 82.69 | 94.80 | 81.25 | 80.37 | 1962 | Andrei Tarkovsky |
222 | The Exterminating Angel | 82.68 | 91.10 | 81.66 | 80.17 | 1962 | Luis Buñuel |
223 | Trainspotting | 82.68 | 85.20 | 81.57 | 81.21 | 1996 | Danny Boyle |
224 | The Last Picture Show | 82.67 | 94.15 | 79.90 | 79.56 | 1971 | Peter Bogdanovich |
225 | The Truman Show | 82.64 | 89.63 | 79.70 | 82.15 | 1998 | Peter Weir |
226 | Memories of Murder | 82.64 | 82.88 | 82.68 | 80.94 | 2003 | Bong Joon-ho |
227 | Faust | 82.62 | 89.70 | 80.23 | 81.94 | 1926 | F. W. Murnau |
228 | Sans Soleil | 82.62 | 83.90 | 79.45 | 80.51 | 1983 | Chris Marker |
229 | Song of the Sea | 82.57 | 87.63 | 80.59 | 82.23 | 2014 | Tomm Moore |
230 | Léon: The Professional | 82.55 | 67.38 | 84.05 | 84.07 | 1994 | Luc Besson |
231 | Fargo | 82.54 | 87.45 | 82.36 | 79.19 | 1996 | Coen Brothers |
232 | Solaris | 82.54 | 89.95 | 80.91 | 79.69 | 1972 | Andrei Tarkovsky |
233 | Sweet Smell of Success | 82.52 | 96.53 | 80.81 | 77.62 | 1957 | Alexander Mackendrick |
234 | For a Few Dollars More | 82.52 | 79.28 | 82.38 | 83.15 | 1965 | Sergio Leone |
235 | White Heat | 82.51 | 90.65 | 80.77 | 81.24 | 1949 | Raoul Walsh |
236 | Brief Encounter | 82.50 | 88.35 | 80.81 | 81.03 | 1945 | David Lean |
237 | Wings of Desire | 82.49 | 85.70 | 81.30 | 80.42 | 1987 | Wim Wenders |
238 | Diabolique | 82.47 | 90.70 | 81.27 | 80.73 | 1955 | Henri-Georges Clouzot |
239 | An Autumn Afternoon | 82.45 | 91.95 | 81.68 | 79.85 | 1962 | Yasujirō Ozu |
240 | The Tale of the Princess Kaguya | 82.44 | 90.63 | 81.16 | 80.43 | 2013 | Isao Takahata |
241 | Amarcord | 82.41 | 85.95 | 79.26 | 80.73 | 1973 | Federico Fellini |
242 | Heat | 82.40 | 79.08 | 82.03 | 81.73 | 1995 | Michael Mann |
243 | L'Atalante | 82.40 | 95.60 | 78.32 | 78.10 | 1934 | Jean Vigo |
244 | Django Unchained | 82.39 | 83.44 | 82.23 | 81.94 | 2012 | Quentin Tarantino |
245 | Jeanne Dielman, 23 Commerce Quay, 1080 Brussels | 82.38 | 95.50 | 78.73 | 79.69 | 1975 | Chantal Akerman |
246 | Kind Hearts and Coronets | 82.38 | 95.60 | 80.80 | 79.72 | 1949 | Robert Hamer |
247 | Dog Day Afternoon | 82.37 | 88.40 | 81.11 | 79.80 | 1975 | Sidney Lumet |
248 | Forbidden Games | 82.37 | 93.75 | 80.36 | 80.99 | 1952 | René Clément |
249 | The Crowd | 82.35 | 93.35 | 79.21 | 81.23 | 1928 | King Vidor |
250 | Notorious | 82.35 | 96.78 | 79.96 | 78.21 | 1946 | Alfred Hitchcock |
251 | Mary and Max | 82.35 | 88.05 | 80.95 | 82.42 | 2009 | Adam Elliot |
252 | Persepolis | 82.34 | 88.95 | 80.09 | 80.77 | 2007 | Marjane Satrapi, Vincent Paronnaud |
253 | Howl's Moving Castle | 82.33 | 78.71 | 82.63 | 83.10 | 2004 | Hayao Miyazaki |
254 | Nausicaä of the Valley of the Wind | 82.33 | 85.10 | 81.54 | 82.03 | 1984 | Hayao Miyazaki |
255 | Safety Last! | 82.33 | 92.25 | 80.95 | 81.10 | 1923 | Fred C. Newmeyer, Sam Taylor |
256 | Rosemary's Baby | 82.32 | 94.78 | 79.99 | 78.69 | 1968 | Roman Polanski |
257 | L'Avventura | 82.32 | 92.10 | 79.08 | 78.03 | 1960 | Michelangelo Antonioni |
258 | The Searchers | 82.32 | 93.90 | 78.16 | 76.66 | 1956 | John Ford |
259 | La Haine | 82.30 | 90.60 | 82.38 | 79.56 | 1995 | Mathieu Kassovitz |
260 | Three Colors: Blue | 82.30 | 88.28 | 81.55 | 79.23 | 1993 | Krzysztof Kieślowski |
261 | Chungking Express | 82.30 | 79.95 | 82.29 | 80.73 | 1994 | Wong Kar-wai |
262 | Inside Out | 82.29 | 93.66 | 80.27 | 79.85 | 2015 | Pete Docter |
263 | Where is the Friend's Home? | 82.28 | 89.25 | 81.22 | 80.21 | 1987 | Abbas Kiarostami |
264 | Cries and Whispers | 82.27 | 85.45 | 81.02 | 80.80 | 1972 | Ingmar Bergman |
265 | Napoleon | 82.22 | 93.25 | 81.89 | 78.99 | 1927 | Abel Gance |
266 | Paper Moon | 82.19 | 83.08 | 81.37 | 81.29 | 1973 | Peter Bogdanovich |
267 | The Spirit of the Beehive | 82.17 | 89.83 | 79.31 | 78.91 | 1973 | Víctor Erice |
268 | A Special Day | 82.16 | 90.20 | 81.11 | 81.25 | 1977 | Ettore Scola |
269 | Nostalghia | 82.15 | 83.00 | 80.91 | 81.23 | 1983 | Andrei Tarkovsky |
270 | Network | 82.13 | 85.45 | 82.36 | 79.08 | 1976 | Sidney Lumet |
271 | L'Eclisse | 82.11 | 84.70 | 79.78 | 78.81 | 1962 | Michelangelo Antonioni |
272 | Mr. Smith Goes to Washington | 82.09 | 80.83 | 81.78 | 81.15 | 1939 | Frank Capra |
273 | Sanjuro | 82.09 | 91.90 | 81.67 | 80.85 | 1962 | Akira Kurosawa |
274 | Badlands | 82.06 | 93.38 | 79.77 | 77.21 | 1973 | Terrence Malick |
275 | Vivre Sa Vie | 82.06 | 85.20 | 80.12 | 79.83 | 1962 | Jean-Luc Godard |
276 | Nobody Knows | 82.06 | 87.18 | 81.12 | 81.15 | 2004 | Hirokazu Koreeda |
277 | No Country for Old Men | 82.05 | 90.68 | 80.56 | 78.47 | 2007 | Coen Brothers |
278 | Spring, Summer, Fall, Winter... and Spring | 82.05 | 86.05 | 80.76 | 80.62 | 2003 | Kim Ki-duk |
279 | La Notte | 82.04 | 78.35 | 81.45 | 81.11 | 1961 | Michelangelo Antonioni |
280 | The Celebration | 82.04 | 84.23 | 81.34 | 80.08 | 1998 | Thomas Vinterberg |
281 | In the Name of the Father | 82.04 | 84.90 | 81.14 | 81.85 | 1993 | Jim Sheridan |
282 | I Am a Fugitive from a Chain Gang | 82.02 | 89.55 | 80.18 | 81.56 | 1932 | Mervyn LeRoy |
283 | Shoplifters | 82.01 | 92.39 | 80.60 | 79.31 | 2018 | Hirokazu Koreeda |
284 | Finding Nemo | 82.01 | 92.60 | 80.13 | 78.76 | 2003 | Andrew Stanton, Lee Unkrich |
285 | Z | 81.98 | 87.55 | 82.21 | 79.59 | 1969 | Costa-Gavras |
286 | The Phantom Carriage | 81.96 | 95.00 | 80.01 | 80.32 | 1921 | Victor Sjöström |
287 | Manhattan | 81.95 | 86.23 | 80.50 | 79.81 | 1979 | Woody Allen |
288 | Rome, Open City | 81.94 | 95.40 | 80.45 | 79.27 | 1945 | Robert Rossellini |
289 | Children of Heaven | 81.93 | 80.15 | 81.24 | 82.01 | 1997 | Majid Majidi |
290 | The Green Mile | 81.92 | 71.93 | 82.95 | 84.38 | 1999 | Frank Darabont |
291 | The Iron Giant | 81.91 | 86.61 | 80.88 | 79.95 | 1999 | Brad Bird |
292 | The Sacrifice | 81.90 | 80.30 | 80.47 | 81.37 | 1986 | Andrei Tarkovsky |
293 | The Philadelphia Story | 81.90 | 94.95 | 79.79 | 77.86 | 1940 | George Cukor |
294 | The Twilight Samurai | 81.90 | 86.10 | 81.07 | 81.13 | 2002 | Yôji Yamada |
295 | Before Sunset | 81.88 | 87.79 | 81.42 | 78.41 | 2004 | Richard Linklater |
296 | Before Sunrise | 81.86 | 84.40 | 82.24 | 79.44 | 1995 | Richard Linklater |
297 | Castle in the Sky | 81.85 | 81.63 | 81.49 | 82.06 | 1986 | Hayao Miyazaki |
298 | The Departed | 81.84 | 86.92 | 82.82 | 79.04 | 2006 | Martin Scorsese |
299 | Brazil | 81.83 | 90.23 | 80.61 | 78.37 | 1985 | Terry Gilliam |
300 | Incendies | 81.81 | 83.85 | 81.88 | 80.74 | 2011 | Denis Villenueve |
301 | The Maltese Falcon | 81.81 | 95.65 | 80.24 | 77.28 | 1941 | John Huston |
302 | The Wizard of Oz | 81.77 | 98.03 | 79.38 | 77.17 | 1939 | Victor Fleming |
303 | Le Cercle Rouge | 81.76 | 90.03 | 80.81 | 78.54 | 1970 | Jean-Pierre Melville |
304 | Monsieur Verdoux | 81.76 | 89.80 | 78.55 | 81.34 | 1947 | Charlie Chaplin |
305 | The Return | 81.72 | 84.85 | 80.02 | 80.96 | 2003 | Andrey Zvyagintsev |
306 | Secrets & Lies | 81.71 | 90.73 | 80.29 | 78.66 | 1996 | Mike Leigh |
307 | The Hidden Fortress | 81.70 | 91.25 | 80.79 | 80.72 | 1958 | Akira Kurosawa |
308 | Pan's Labyrinth | 81.69 | 92.59 | 81.60 | 76.08 | 2006 | Guillermo del Toro |
309 | Amélie | 81.69 | 79.64 | 81.96 | 80.27 | 2004 | Jean-Pierre Jeunet |
310 | Ben-Hur | 81.67 | 86.93 | 79.86 | 80.22 | 1959 | William Wyler |
311 | Fitzcarraldo | 81.67 | 75.80 | 81.06 | 81.21 | 1982 | Werner Herzog |
312 | American History X | 81.63 | 70.13 | 83.58 | 83.00 | 1998 | Tony Kaye |
313 | Ace in the Hole | 81.62 | 79.10 | 80.88 | 81.36 | 1951 | Billy Wilder |
314 | Capernaum | 81.62 | 81.83 | 80.52 | 82.18 | 2018 | Nadine Labaki |
315 | Still Walking | 81.61 | 90.30 | 80.92 | 79.48 | 2008 | Hirokazu Koreeda |
316 | All About My Mother | 81.61 | 88.77 | 79.56 | 78.80 | 1999 | Pedro Almodóvar |
317 | The Discreet Charm of the Bourgeoisie | 81.60 | 92.28 | 78.82 | 78.83 | 1972 | Luis Buñuel |
318 | Platoon | 81.60 | 88.70 | 79.52 | 80.45 | 1986 | Oliver Stone |
319 | Farewell My Concubine | 81.60 | 80.50 | 80.49 | 81.04 | 1993 | Chen Kaige |
320 | Letter from an Unknown Woman | 81.59 | 93.10 | 79.84 | 79.31 | 1948 | Max Ophüls |
321 | The Grand Budapest Hotel | 81.58 | 87.64 | 80.72 | 79.19 | 2014 | Wes Anderson |
322 | The Virgin Spring | 81.58 | 82.45 | 80.70 | 80.66 | 1960 | Ingmar Bergman |
323 | The Red Balloon | 81.57 | 90.20 | 79.93 | 80.30 | 1956 | Albert Lamorisse |
324 | Stagecoach | 81.57 | 94.58 | 77.69 | 78.94 | 1939 | John Ford |
325 | Mulholland Drive | 81.56 | 80.61 | 79.60 | 77.87 | 2001 | David Lynch |
326 | A Matter of Life and Death | 81.49 | 92.60 | 81.91 | 76.27 | 1946 | Michael Powell, Emeric Pressburger |
327 | High Noon | 81.48 | 90.58 | 79.27 | 78.94 | 1952 | Fred Zinnemann |
328 | Orpheus | 81.48 | 96.20 | 79.88 | 78.90 | 1950 | Jean Cocteau |
329 | Life of Brian | 81.47 | 82.98 | 80.78 | 79.81 | 1979 | Terry Jones |
330 | Casino | 81.46 | 74.23 | 81.54 | 81.75 | 1995 | Martin Scorsese |
331 | Kagemusha | 81.44 | 82.93 | 80.01 | 80.43 | 1980 | Akira Kurosawa |
332 | Butch Cassidy and the Sundance Kid | 81.43 | 76.08 | 80.53 | 81.85 | 1969 | George Roy Hill |
333 | In a Lonely Place | 81.43 | 92.45 | 80.42 | 78.77 | 1950 | Nicholas Ray |
334 | Scarface | 81.43 | 71.30 | 81.97 | 82.18 | 1983 | Brian De Palma |
335 | A Short Film About Killing | 81.42 | 87.35 | 79.89 | 80.38 | 1988 | Krzysztof Kieślowski |
336 | Beauty and the Beast | 81.41 | 92.05 | 79.28 | 78.32 | 1946 | Jean Cocteau |
337 | The Hustler | 81.39 | 92.45 | 80.43 | 78.97 | 1961 | Robert Rossen |
338 | Cléo from 5 to 7 | 81.38 | 91.65 | 80.03 | 79.11 | 1962 | Agnès Varda |
339 | Fireworks | 81.37 | 90.15 | 80.01 | 79.63 | 1997 | Takeshi Kitano |
340 | Room | 81.36 | 88.41 | 80.43 | 79.48 | 2015 | Lenny Abrahamson |
341 | Mad Max: Fury Road | 81.35 | 90.39 | 79.76 | 77.80 | 2015 | George Miller |
342 | Steamboat Bill, Jr. | 81.32 | 95.75 | 79.30 | 79.23 | 1928 | Charles Reisner, Buster Keaton |
343 | Judgment at Nuremberg | 81.31 | 71.58 | 82.24 | 83.03 | 1961 | Stanley Kramer |
344 | The Straight Story | 81.30 | 87.15 | 79.64 | 79.88 | 1999 | David Lynch |
345 | Meshes of the Afternoon | 81.29 | 96.25 | 77.91 | 79.99 | 1943 | Maya Deren, Alexandr Hackenschmied |
346 | Alice in the Cities | 81.28 | 86.70 | 79.60 | 80.20 | 1974 | Wim Wenders |
347 | Akira | 81.28 | 80.90 | 81.12 | 79.98 | 1988 | Katsuhiro Otomo |
348 | Good Will Hunting | 81.27 | 79.38 | 81.97 | 81.05 | 1997 | Gus Van Sant |
349 | The Miracle Worker | 81.25 | 85.15 | 78.88 | 81.55 | 1962 | Arthur Penn |
350 | Talk to Her | 81.25 | 87.48 | 79.33 | 78.71 | 2002 | Pedro Almodóvar |
351 | The Graduate | 81.24 | 85.58 | 78.91 | 79.97 | 1967 | Mike Nichols |
352 | Beauty and the Beast | 81.22 | 92.28 | 79.20 | 78.77 | 1991 | Gary Trousdale, Kirk Wise |
353 | The Heiress | 81.19 | 94.45 | 80.20 | 79.76 | 1949 | William Wyler |
354 | Fantasia | 81.18 | 93.03 | 76.76 | 79.95 | 1940 | Samuel Armstrong, James Algar |
355 | Au Revoir les Enfants | 81.18 | 94.25 | 80.14 | 78.92 | 1987 | Louis Malle |
356 | Three Billboards Outside Ebbing, Missouri | 81.18 | 88.62 | 79.36 | 79.90 | 2017 | Martin McDonagh |
357 | Inglourious Basterds | 81.17 | 79.05 | 81.06 | 80.51 | 2009 | Quentin Tarantino |
358 | Elevator to the Gallows | 81.16 | 90.45 | 79.31 | 78.56 | 1958 | Louis Malle |
359 | Gladiator | 81.16 | 75.39 | 81.69 | 81.52 | 2000 | Ridley Scott |
360 | Through a Glass Darkly | 81.15 | 93.60 | 81.11 | 78.86 | 1961 | Ingmar Bergman |
361 | Million Dollar Baby | 81.15 | 87.41 | 77.43 | 80.72 | 2004 | Clint Eastwood |
362 | Days of Heaven | 81.15 | 90.75 | 80.19 | 77.08 | 1978 | Terrence Malick |
363 | Do the Right Thing | 81.15 | 90.78 | 80.26 | 77.04 | 1989 | Spike Lee |
364 | Out of the Past | 81.14 | 91.40 | 80.73 | 77.92 | 1947 | Jacques Tourneur |
365 | Strangers on a Train | 81.11 | 93.30 | 80.01 | 78.68 | 1951 | Alfred Hitchcock |
366 | Blue Velvet | 81.11 | 83.48 | 78.98 | 77.09 | 1986 | David Lynch |
367 | That Obscure Object of Desire | 81.09 | 89.40 | 79.59 | 78.11 | 1977 | Luis Buñuel |
368 | What Ever Happened to Baby Jane? | 81.08 | 80.23 | 80.74 | 80.75 | 1962 | Robert Aldrich |
369 | My Night at Maud's | 81.07 | 88.15 | 79.51 | 79.42 | 1969 | Éric Rohmer |
370 | The Earrings of Madame de… | 81.07 | 92.15 | 80.36 | 77.05 | 1953 | Max Ophüls |
371 | The Conversation | 81.04 | 89.23 | 80.03 | 77.44 | 1974 | Francis Ford Coppola |
372 | The Killing | 81.03 | 91.50 | 79.51 | 79.21 | 1956 | Stanley Kubrick |
373 | The Servant | 81.03 | 87.83 | 79.45 | 78.57 | 1963 | Joseph Losey |
374 | The Intouchables | 81.03 | 67.15 | 82.13 | 84.70 | 2011 | Olivier Nakache, Éric Toledano |
375 | The Life and Death of Colonel Blimp | 81.01 | 94.15 | 81.57 | 75.44 | 1943 | Michael Powell, Emeric Pressburger |
376 | Jaws | 81.01 | 90.98 | 79.91 | 75.70 | 1975 | Steven Spielberg |
377 | Winter Light | 81.01 | 73.55 | 81.51 | 79.95 | 1963 | Ingmar Bergman |
378 | Love Exposure | 81.01 | 80.88 | 82.23 | 79.55 | 2008 | Sion Sono |
379 | Hiroshima Mon Amour | 81.00 | 92.95 | 80.13 | 77.99 | 1959 | Alain Resnais |
380 | Day for Night | 80.98 | 92.55 | 80.21 | 78.27 | 1973 | François Truffaut |
381 | Ratatouille | 80.97 | 92.73 | 78.72 | 78.68 | 2007 | Brad Bird |
382 | Ghost in the Shell | 80.97 | 81.43 | 79.98 | 81.15 | 1995 | Mamoru Oshii |
383 | Germany Year Zero | 80.95 | 92.00 | 77.80 | 80.03 | 1948 | Roberto Rossellini |
384 | Spotlight | 80.93 | 93.00 | 79.75 | 77.55 | 2015 | Tom McCarthy |
385 | Die Hard | 80.93 | 79.58 | 81.11 | 79.43 | 1988 | John McTiernan |
386 | Laura | 80.93 | 93.80 | 79.70 | 78.47 | 1944 | Otto Preminger |
387 | Sleuth | 80.93 | 89.95 | 79.16 | 80.87 | 1972 | Joseph L. Mankiewicz |
388 | The Diving Bell and the Butterfly | 80.92 | 88.64 | 79.69 | 77.84 | 2007 | Julian Schnabel |
389 | The Handmaiden | 80.92 | 85.99 | 82.55 | 77.41 | 2016 | Park Chan-wook |
390 | Stand by Me | 80.90 | 80.20 | 81.28 | 79.54 | 1986 | Rob Reiner |
391 | Wolf Children | 80.90 | 80.15 | 80.40 | 81.27 | 2012 | Mamoru Hosoda |
392 | Marriage Story | 80.88 | 92.86 | 79.40 | 77.75 | 2019 | Noam Baumbach |
393 | Shoeshine | 80.87 | 93.75 | 79.02 | 79.38 | 1946 | Vittorio De Sica |
394 | Freaks | 80.85 | 84.70 | 77.66 | 80.31 | 1932 | Tod Browning |
395 | Nosferatu | 80.85 | 93.75 | 78.29 | 79.14 | 1922 | F. W. Murnau |
396 | Dial M for Murder | 80.84 | 77.60 | 81.17 | 81.31 | 1954 | Alfred Hitchcock |
397 | Amour | 80.81 | 90.90 | 77.74 | 78.19 | 2012 | Michael Haneke |
398 | 12 Years a Slave | 80.80 | 94.00 | 79.74 | 76.94 | 2013 | Steve McQueen |
399 | The Nightmare Before Christmas | 80.77 | 85.38 | 79.26 | 79.69 | 1993 | Henry Selick |
400 | Cabaret | 80.77 | 84.68 | 77.34 | 80.69 | 1972 | Bob Fosse |
401 | Central Station | 80.77 | 83.28 | 80.91 | 78.52 | 1998 | Walter Salles |
402 | Landscape in the Mist | 80.74 | 71.35 | 80.76 | 80.28 | 1988 | Theo Angelopoulos |
403 | 1917 | 80.73 | 84.37 | 80.65 | 79.33 | 2019 | Sam Mendes |
404 | Intolerance: Love's Struggle Throughout the Ages | 80.71 | 93.98 | 75.69 | 78.01 | 1916 | D. W. Griffith |
405 | Call Me by Your Name | 80.71 | 91.25 | 79.43 | 77.87 | 2017 | Luca Guadagnino |
406 | Midnight Cowboy | 80.71 | 82.98 | 79.10 | 79.50 | 1969 | John Schlesinger |
407 | Shadow of a Doubt | 80.70 | 94.38 | 79.31 | 76.04 | 1943 | Alfred Hitchcock |
408 | Interstellar | 80.70 | 74.16 | 81.30 | 82.25 | 2014 | Christopher Nolan |
409 | Hannah and Her Sisters | 80.69 | 88.95 | 79.15 | 77.98 | 1986 | Woody Allen |
410 | Monsters, Inc. | 80.68 | 85.29 | 79.37 | 80.08 | 2001 | Pete Docter, David Silverman |
411 | The Testament of Dr. Mabuse | 80.65 | 85.85 | 79.40 | 79.38 | 1933 | Fritz Lang |
412 | Downfall | 80.64 | 83.53 | 81.54 | 78.55 | 2004 | Oliver Hirschbiegel |
413 | Being There | 80.64 | 87.30 | 79.42 | 78.06 | 1979 | Hal Ashby |
414 | The Killer | 80.63 | 92.60 | 79.27 | 78.66 | 1989 | John Woo |
415 | My Left Foot: The Story of Christy Brown | 80.63 | 93.23 | 78.13 | 79.15 | 1989 | Jim Sheridan |
416 | Jean de Florette | 80.60 | 88.40 | 80.18 | 79.69 | 1986 | Claude Berri |
417 | The Big Lebowski | 80.57 | 74.80 | 82.28 | 78.57 | 1998 | Coen Brothers |
418 | The King's Speech | 80.57 | 90.86 | 78.50 | 78.59 | 2010 | Tom Hooper |
419 | Whisper of the Heart | 80.55 | 79.98 | 80.80 | 80.31 | 1995 | Yoshifumi Kondō |
420 | E.T. the Extra-Terrestrial | 80.54 | 93.08 | 77.22 | 77.82 | 1982 | Steven Spielberg |
421 | Infernal Affairs | 80.54 | 79.83 | 79.92 | 80.22 | 2002 | Andrew Lau, Alan Mak |
422 | The Prestige | 80.54 | 72.22 | 82.71 | 81.38 | 2006 | Christopher Nolan |
423 | Our Hospitality | 80.54 | 92.85 | 77.72 | 79.58 | 1923 | Buster Keaton, John G. Blystone |
424 | Zootopia | 80.53 | 85.22 | 78.84 | 80.18 | 2016 | Byron Howard, Rich Moore |
425 | Toy Story 2 | 80.49 | 92.59 | 78.51 | 77.05 | 1999 | John Lasseter, Ash Brannon, Lee Unkrich |
426 | Klaus | 80.48 | 75.00 | 81.07 | 81.41 | 2019 | Sergio Pablos |
427 | The Big Sleep | 80.45 | 92.10 | 79.74 | 77.58 | 1946 | Howard Hawks |
428 | Ford v Ferrari | 80.45 | 83.94 | 79.37 | 80.01 | 2019 | James Mangold |
429 | Dead Poets Society | 80.44 | 78.70 | 79.43 | 80.75 | 1989 | Peter Weir |
430 | The Terminator | 80.43 | 89.08 | 78.26 | 78.13 | 1984 | James Cameron |
431 | Naked | 80.43 | 84.48 | 80.39 | 77.34 | 1993 | Mike Leigh |
432 | Dangal | 80.41 | 83.00 | 79.68 | 80.56 | 2016 | Nitesh Tiwari |
433 | Kwaidan | 80.40 | 81.80 | 79.75 | 79.42 | 1964 | Masaki Kobayashi |
434 | The Man Who Would Be King | 80.40 | 90.55 | 78.24 | 77.79 | 1975 | John Huston |
435 | Wild Tales | 80.38 | 82.57 | 80.48 | 79.22 | 2014 | Damián Szifron |
436 | Groundhog Day | 80.38 | 80.08 | 79.31 | 79.35 | 1993 | Harold Ramis |
437 | Catch Me If You Can | 80.38 | 83.44 | 78.74 | 80.57 | 2002 | Steven Spielberg |
438 | I Vitelloni | 80.36 | 90.28 | 77.64 | 78.06 | 1953 | Federico Fellini |
439 | The Big Heat | 80.35 | 92.90 | 79.27 | 77.87 | 1953 | Fritz Lang |
440 | The Double Life of Véronique | 80.35 | 82.63 | 80.19 | 77.87 | 1991 | Krzysztof Kieślowski |
441 | Who's Afraid of Virginia Woolf? | 80.35 | 82.58 | 80.19 | 78.43 | 1966 | Mike Nichols |
442 | Requiem for a Dream | 80.33 | 71.39 | 81.39 | 80.93 | 2000 | Darren Aronofsky |
443 | Rope | 80.33 | 79.20 | 80.31 | 79.30 | 1948 | Alfred Hitchcock |
444 | Love and Death | 80.33 | 89.83 | 77.55 | 78.50 | 1975 | Woody Allen |
445 | The Remains of the Day | 80.29 | 86.88 | 78.75 | 78.80 | 1993 | James Ivory |
446 | Jules and Jim | 80.28 | 93.70 | 78.30 | 77.94 | 1962 | François Truffaut |
447 | The Gospel According to Matthew | 80.28 | 88.30 | 76.50 | 78.52 | 1964 | Pier Paolo Pasolini |
448 | How to Train Your Dragon | 80.27 | 81.97 | 79.45 | 80.24 | 2010 | Chris Sanders, Dean DeBlois |
449 | Harry Potter and the Deathly Hallows: Part 2 | 80.27 | 88.50 | 78.81 | 78.53 | 2011 | David Yates |
450 | Cat on a Hot Tin Roof | 80.26 | 87.05 | 79.46 | 79.79 | 1958 | Richard Brooks |
451 | The French Connection | 80.26 | 93.35 | 78.04 | 76.89 | 1971 | William Friedkin |
452 | Opening Night | 80.25 | 78.05 | 80.50 | 79.25 | 1977 | John Cassavetes |
453 | Hotel Rwanda | 80.24 | 84.54 | 79.34 | 79.40 | 2004 | Terry George |
454 | 4 Months, 3 Weeks and 2 Days | 80.22 | 92.51 | 77.76 | 76.22 | 2007 | Cristian Mungiu |
455 | Tampopo | 80.22 | 92.40 | 81.20 | 77.01 | 1985 | Juzo Itami |
456 | Scarface | 80.22 | 93.50 | 76.43 | 79.55 | 1932 | Howard Hawks, Howard Hughes |
457 | The Face of Another | 80.21 | 87.50 | 79.61 | 79.34 | 1966 | Hiroshi Teshigahara |
458 | The Roaring Twenties | 80.21 | 86.20 | 77.79 | 80.68 | 1939 | Raoul Walsh |
459 | Pickpocket | 80.20 | 93.80 | 76.41 | 76.47 | 1959 | Robert Bresson |
460 | Kiki's Delivery Service | 80.20 | 85.45 | 79.87 | 78.84 | 1989 | Hayao Miyazaki |
461 | A Prophet | 80.19 | 89.61 | 79.53 | 76.14 | 2009 | Jacques Audiard |
462 | Zelig | 80.19 | 90.00 | 76.50 | 80.29 | 1983 | Woody Allen |
463 | Trouble in Paradise | 80.18 | 88.20 | 79.35 | 77.62 | 1932 | Ernst Lubitsch |
464 | Gran Torino | 80.17 | 76.27 | 78.57 | 82.36 | 2008 | Clint Eastwood |
465 | Last Year at Marienbad | 80.16 | 88.25 | 78.29 | 77.37 | 1961 | Alain Resnais |
466 | All the President's Men | 80.15 | 85.95 | 80.48 | 76.46 | 1976 | Alan J. Pakula |
467 | Breaking the Waves | 80.15 | 79.85 | 78.46 | 79.55 | 1996 | Lars von Trier |
468 | Indiana Jones and the Last Crusade | 80.14 | 74.28 | 81.44 | 80.57 | 1989 | Steven Spielberg |
469 | Divorce Italian Style | 80.12 | 91.00 | 79.28 | 78.26 | 1961 | Pietro Germi |
470 | Edward Scissorhands | 80.12 | 78.65 | 78.09 | 80.73 | 1990 | Tim Burton |
471 | The Thing | 80.12 | 67.98 | 82.60 | 79.34 | 1982 | John Carpenter |
472 | Perfect Blue | 80.11 | 74.05 | 80.91 | 80.09 | 1997 | Satoshi Kon |
473 | Down by Law | 80.10 | 79.03 | 78.98 | 79.61 | 1986 | Jim Jarmusch |
474 | Bringing Up Baby | 80.10 | 90.75 | 78.25 | 76.45 | 1938 | Howard Hawks |
475 | The Phantom of Liberty | 80.09 | 85.10 | 78.89 | 78.66 | 1974 | Luis Buñuel |
476 | Bonnie and Clyde | 80.07 | 85.38 | 78.16 | 78.23 | 1967 | Arthur Penn |
477 | The Incredibles | 80.07 | 89.69 | 79.77 | 75.78 | 2004 | Brad Bird |
478 | Rocky | 80.04 | 79.73 | 79.17 | 79.29 | 1976 | John G. Avildsen |
479 | His Girl Friday | 80.03 | 94.15 | 79.24 | 76.72 | 1940 | Howard Hawks |
480 | Mommy | 80.03 | 80.79 | 80.39 | 79.13 | 2014 | Xavier Dolan |
481 | Mon Oncle | 80.03 | 88.00 | 78.03 | 78.76 | 1958 | Jacques Tati |
482 | My Fair Lady | 79.99 | 91.85 | 77.53 | 78.00 | 1964 | George Cukor |
483 | Charade | 79.98 | 85.55 | 79.37 | 78.72 | 1963 | Stanley Donen |
484 | Stalag 17 | 79.95 | 87.13 | 79.62 | 77.79 | 1953 | Billy Wilder |
485 | Boyhood | 79.95 | 97.08 | 76.08 | 75.95 | 2014 | Richard Linklater |
486 | The Secret in Their Eyes | 79.95 | 82.49 | 81.27 | 77.67 | 2009 | Juan José Campanella |
487 | Ninotchka | 79.95 | 90.15 | 77.99 | 78.50 | 1939 | Ernst Lubitsch |
488 | Pierrot le Fou | 79.94 | 81.75 | 77.84 | 76.65 | 1965 | Jean-Luc Godard |
489 | The Enigma of Kaspar Hauser | 79.94 | 89.10 | 78.30 | 78.27 | 1974 | Werner Herzog |
490 | Stroszek | 79.94 | 88.40 | 79.50 | 77.77 | 1977 | Werner Herzog |
491 | A Hard Day's Night | 79.93 | 93.73 | 76.82 | 77.08 | 1964 | Richard Lester |
492 | Onibaba | 79.90 | 74.75 | 79.42 | 79.96 | 1964 | Kaneto Shindo |
493 | Repulsion | 79.85 | 92.68 | 77.29 | 76.57 | 1965 | Roman Polanski |
494 | Like Stars on Earth | 79.85 | 80.50 | 79.54 | 79.86 | 2007 | Aamir Khan, Amole Gupte |
495 | Duck Soup | 79.84 | 92.33 | 79.01 | 74.92 | 1933 | Leo McCarey |
496 | Carlito's Way | 79.83 | 70.28 | 79.16 | 82.01 | 1993 | Brian De Palma |
497 | Nashville | 79.82 | 93.23 | 76.89 | 74.92 | 1975 | Robert Altman |
498 | The Triplets of Belleville | 79.82 | 88.97 | 76.57 | 78.66 | 2003 | Sylvain Chomet |
499 | Dr. Mabuse the Gambler | 79.81 | 85.10 | 76.88 | 79.98 | 1922 | Fritz Lang |
500 | Gone Girl | 79.79 | 83.03 | 79.32 | 78.87 | 2014 | David Fincher |
Lucky you there are casinos that accept 18 year olds and up. I actually went to one with two other friends as part of graduating a couple years ago. Clearwater Casino is one. Check them out. There... Washington State casinos can be found in large cities and small towns, on the waterfront or in the suburbs. Many of Washington's larger casinos offer a range of gaming, entertainment, lottery, and dining options.Some are even full-service resorts, complete with hotels, spas, dining, and attractions. The gambling offer is very attractive in Washington (WA) thanks to more than 70 casinos. It total, the offer includes more than 30,000 slot machines, 1,200 gaming tables as well as 290 poker tables. Horse betting is also part of the gambling offer thanks to 2 horse tracks. Washington State has 35 Indian casinos owned by 25 tribes and located across 15 counties. These tribal casinos are regulated by the federal NIGC and with gaming compacts signed with the Washington State Gambling Commission. The only confusion that comes into play is when a state allows casino gambling to players 21 and up, but the online casinos accept players at 18. Now we’re in the gray zone. Since less than a dozen states offer locally licensed online casinos, most states have absolutely no laws regarding online gambling, and therefore have not established a minimum gambling age for online casino games. Penalties involved- always find out what penalties you will face should you want to play an unauthorised 18 And Up Casinos In Washington State game or cash our early. Maximum cash 18 And Up Casinos In Washington State out- know how much you can withdraw when using this casino bonus although 18 And Up Casinos In Washington State the amount usually ranges from $50 with no upper limit. The best sign-up bonuses at casinos are those that are lucrative, easy to understand, and do not restrict the betting process. To this end, has put together a list of the best sign-up bonuses offered by the Washington State Casinos 18 Year Olds most popular casinos online. 18 And Up Casinos In Washington State; 4 stars out of 5 (thanks to the looser than average slots, which is what matters most!) Muckleshoot Casino 18 and up casinos in washington state The Muckleshoot Casino is located in free slots eagles wings Auburn, approximately 32 miles south and east of Seattle.. Lucky you there are casinos that accept 18 year olds and up! At 18 players can visit some of WA’s casinos which allows them to access all table games and more, however, some Washington casinos require patrons to be 21 to enter their venue and gamble. At 18 residents and visitors can also play the lottery, and engage in charitable gambling, pari-mutuel wagering, and minimal sports betting options.
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Take a short trip with me to Dawson City, Canada. Have a look at how the "average, not for TV" miner gets gold. No staged arguments, breakdowns, or deadlines... http://www.swinomishcasinoandlodge.com. With a beautiful location overlooking the Padilla Bay, the Swinomish Casino Resort & Lodge offers exceptionally appoi... If you're new, Subscribe! → http://bit.ly/Subscribe-to-MashedNo other TV show comes close to being as oddly perfect as Martha & Snoop's Potluck Dinner Party.... June 29, 2018 Brownfield Classic Nw Focus Midgets B-Main Grays Harbor Raceway. In todays video we want to show you that its possible to win in the casino during the cover times in Las Vegas. We show you how we beat the roulette machine, getting free drinks, and walking the ... This video is unavailable. Watch Queue Queue. Watch Queue Queue I start my night out on Del Pilar Stree in Ermita/Malate, Manila Philippines at Dusk Til Dawn Bar. After 2 beers at Dusk Til Dawn i move on to check out the ...
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